To build and to dance. The most structured and ergonomic actions search for a breking point outdoors, from a domestic attitude forth.
Living is flirting ith disaster.
Comfort is a geographic piece that goes through a territory without maps. Space is determined by instability and is unwrapped just like a present.
The dymanic of exploration is set up through a permanent decision-making. Forms are crossed in view of constant mobility. The choreographic identity of the performer is entrusted to the ‘other’ as a continuous removal of the self. This lack of stability meets with a strange attraction for the code, the hieroglyph and the folklore.We try to look into the sense of ‘belonging’ of a body to the outside world, at the border between home and an open field, with a fall in the background.
Dance makes presence and adaptation to the outside world – where other bodies and projects dart – possible; in this sens every start of the movement is a foundation and a breakdown. In this dance, tiime is a succession of propositions and disappearance. The choreography itself disappears, the body still remains.